Which choral setting is better suited for homophonic pieces but may hinder singers from listening to other parts?

The blocked formation is particularly effective for homophonic pieces because it allows singers to focus on their own parts and maintain a clear and cohesive sound. In this arrangement, singers with similar voice types are grouped together, which can enhance the blending of voices and emphasize the harmonic texture characteristic of homophonic music.

However, one downside of blocked formation is that it can limit the singers' ability to hear and blend with the other parts as effectively as they might in other formations. Since the voices are clustered by type, it may create a situation where individuals become more attuned to their own section instead of the overall choral sound. This separation can lead to an imbalance if singers are not fully aware of how their part fits within the ensemble.

In contrast, other formations, such as file formation or mixed formation, can facilitate better listening among the sections, as they tend to intersperse different voice types, promoting awareness of the entire choral texture. Free formation also allows for flexibility in positioning but may not provide the same level of clarity for homophonic settings as the blocked formation does.